Writing is an art form, an extension of our vibrant imagination put into the written word. Writing is a artistic expression of ourselves, our thoughts, our feelings, where the turn of a phrase can excite an audience and a fictional character can tug at our hearts. There should be no doubt that the art of writing is intertwined with an author’s muse, inspiration, and creativity.
But when a writer first conceives of a story, what does he/she do? Create an outline of course! But when we generate outlines, we are putting our story into a box. Albeit, the author pours his/her creativity into the outline, but I fear that for some the creativeness of their ingenuity stops there.
As a writing exercise, try thinking of an alternative plot point from what you currently have planned, and begin outlining the events that would occur from this new pivot point in your novel. Then compare the two story paths (original vs. new); which one was better for you?
I recently did this and was thrilled with the results! My original outline didn’t capture all the particular details that lead up to Chapter 9, so upon my arrival at this point in my story, I realized my characters were stuck. There was now an obstacle that wasn’t there in my outline. I was forced to improvise – and that is when I had this epiphany!
The more I write, the more I favor organic character development – and by extension: story development. I am usually a big planner, down to every detail, so I know how important story outlines are, but now I try to keep my outlines at a high level so that I won’t stifle my creativity as I write.
This is something that all writers will encounter during their career. There is no escaping it; writers will run into this problem. As they continue to flush out their story, a writer will inevitably write themselves into a corner (whether in the planning/outline stage, or during the writing itself). Their story will inevitably get to the point where it needs help! The question is: Does the author force a rewrite? Or do they use a deus ex machina to save the day?
Excerpt from Wikipedia: The Latin phrase deus ex machina, from deus (“a god”) + ex (“from”) + machina (“a device, a scaffolding, an artifice”), is a calque from the Greek “god from the machine“.
It is a mechanism employed by writers to solve a problem in the story – usually using divine intervention, or some unknown spell or magic, or some secret passage that was unbeknownst to the reader – that comes in at the last second and saves the day. Especially in the fantasy genre, the deus ex machina mechanism is disliked by readers in general. The issue with this is it doesn’t allow the characters to overcome the problem on their own. Additionally, it’s not fair to the reader. It would be like reading a mystery novel, constantly trying to guess who the murderer is throughout the book, only to discover that the murderer is no one that was ever introduced anywhere in the novel before. It ruins the experience.
For those that may be struggling or wrestling with their story right now, trying to overcome a roadblock, I encourage you to either work through it and/or rewrite it. Don’t give in to the deus ex machina. It’s the easy solution, I know, but it will also degrade the quality of your story. A solution that worked for me was to engineer the solution by mind mapping my story arcs and character motivations. It is like the movie Apollo 13, where the astronauts were in trouble and the guys back at NASA had to come up with a solution using nothing but the tools that the astronauts had. In hopes that it gives you motivation, here is the scene:
[Several technicians dump boxes containing the same equipment and tools that the astronauts have with them onto a table]
For most authors in search of traditional publishing, it is only after diving into the deep end head first that you realize that you can barely tred water among all the other authors in the pool. It is only then that you might decide to take a step back and survey the landscape so that you can find a more likely path. In my case, that’s exactly what happened, and now I’m changing course toward calmer waters. It’s not the shortest journey, but it’s become more apparent to me now more than ever that an author must have patience and, in my opinion, layout a series of stepping-stone goals.
It has been my goal to get my novel published. However, the path that I chose to get there was to submit to literary agents (the gatekeepers to the publishing industry). My reasoning was that I knew they could educate me on the process, negotiate for a fair deal (so I would know whether I am being taken advantage of), and sell my manuscript better than I could. However, submitting to literary agents as a new author is like trying to take a shortcut in the publishing world. Literary agents generally look to get their clients that highly desired hardcover deal which is not often achieved by first time authors.
So it is time that I “start small” and choose the other path. I’m going to submit directly to some of the smaller, more focused publishing houses that usually deal with paperback and ebook deals. This was somewhat difficult for me to wrap my mind around as any self published author can achieve those same things via Amazon’s Create Space or other similar venues. However, a publishing house does more than just publish. It’s the editing, the marketing, the recognition amongst the consumers of a quality product, the brick-and-mortor store distribution, and the commitment of a team that is involved in your success as much as you are.
I feel that now, with my short story published, my query letter will exhibit more confidence, and with my progress into book two, it’ll demonstrate my dedication. If successful, I’ll have to negotiate the terms of my own deal and manage my own career, but it’s all about the journey, and it will all be worth it in the end.
In my journey toward seeking representation, I have queried over 50 literary agents, all of which did not require a synopsis as part of the submission. I kept a reserve of ~20 other literary agents that I would submit to if my first round of submissions didn’t go so well. These 20 all require synopsis’s. Unfortunately for authors, literary agents do not have standardized requests. Some ask for 1 page synopsis’s and others want 2 pages (a rare few even ask for a 3-5 page synopsis), which of course must be submitted along with your Query Letter and/or a sample of your work. While I do have one very promising agency reviewing my manuscript (fingers crossed!), I am preparing for round 2 (just in case) and just completed my synopsis.
SYNOPSIS TIPS & FORMAT:
At the top of the page (left or center) provide this info: Synopsis of “Title”. Genre: ____ Word Count: _____ By: “Your Name” (however, you can put your pen name if you wish).
Since most agents/publishers ask for either a 1 page or a “brief” synopsis, I think it’s best that you craft it to be within 1 page, single spaced. A synopsis is a narrative of your story, written with the same style and sense of excitement and wonder of your novel. Do not simply say, “Here is the main character, and this is what happens to him/her,” you must make the synopsis drool-worthy.
Synopses are always, ALWAYS, written in 3rd person and in the present tense. No exceptions! The synopsis must introduce your main characters. When you do so, you must make their full name in ALL CAPS, but only for the first time you mention their name. This makes it easy for a reader to locate the introduction of a character.
You do not have to detail all your sub-plots or all your characters, but the main story line must come across in your narrative. So it is best to ensure that you have captured all the major scenes and major plot elements and conflicts, and most importantly: The ending. Yes, you must give away your ending. How you conclude your story is especially important to agents and publishers.
PRO TIP #1:
Have a reader that is unfamiliar with your story read your synopsis and give you feedback. It can be difficult for you to be objective about your synopsis since you understand the meaning behind every sentence.
PRO TIP #2:
Think outside the box. You don’t have to write your synopsis in the same order of events as your novel. You can explain things out of order, which can help when you are trying to condense things down to one page.
PRO TIP #3:
Before writing your synopsis, bulletize the main points that you want to write about. This will help keep your novel at a high level and will help prevent you from diving into the details.
PRO TIP #4:
Don’t go down a rabbit hole. Beware of explaining one event/scene that forces you to explain another. Rabbit holes add additional details to your synopsis that only raise more questions than answers.
PRO TIP #5:
Less is more.
Why did I delay writing a synopsis, you ask? Because, summarizing your entire novel into one page is quite possibly the Achilles Heel of every author. Reducing my 100,000 word novel into an ~900 word page is difficult, to say the least. For most novels, there are so many complex sub-plots that hold a lot of weight to the overall story (as shown in the picture above), and not being able to fit them into your synopsis can be torturous.
When I joined NaNoWriMo this year, in order to fill out my profile, it made me write a synopsis of my novel before I even began writing it. I must say that writing the synopsis beforehand helped me identify character motivations that I hadn’t even considered in my outline. It was profound, and it helped me expand on my planning. However, if you were to write a synopsis before hand (which is similar to the Snowflake method of outlining, which I discuss here), you can bet, with a certainty, that you will need to revise it after you finish your novel.
STEPHEN KING’S APPROACH:
In his novel, On Writing: A Memoir of the Craft, Stephen King doesn’t touch on writing a synopsis, but what he does talk about is plot – which is what a synopsis is supposed to capture. Steven King’s novels are not born from the conception of a plot, but are based on a single situation instead (I wrote more about it here in my discussion of the 7 basic plots). He is able to reduce his entire novels down to one sentence. It struck me that when writing a novel using this approach, it would probably be a lot more friendly when it’s time to summarize your novel into a synopsis. And even more helpful for the purposes of writing a Query Letter (explained here with additional detail here).
I’m in the middle of planning book 2 of my series, The Chromium Smith, and I thought it would be a great time to see if I can improve upon my story outline process and share everything that I’ve found. When designing the outline for book 1, The Soul Smith, I used a chapter by chapter approach toward planning the plot-based events. However, I found it cumbersome because I couldn’t fit all the chapter’s events I had planned into just one chapter, resulting in continuous revisions to my outline. After I abandoned a written plan, I found that I was able to develop my characters more organically as I wrote. I felt that this was a positive byproduct of the lack of a written outline, but I wasn’t without any plan at all.
With book 1, to compensate for a lack of a chapter-by-chapter written plan, I had conceived of the overarching story line and used proper character motivation to get from A to Z. I added one additional mechanic that I coined as ‘The Logic Test’ which prevented me from having any holes in my story. Lastly, whenever I thought of a great scene for the book, I wrote it down immediately. This list of scenes became my ‘Bag of Tricks’ that I was able to pull from whenever I felt a little stuck, or deprived of creativity. All of this was the same tried and true method that I employed when designing stories for role playing games.
So why even do the extra work to generate and maintain an outline? Well, when I submitted my short story, The Ravenous Flock, for critique at Critter’s Writer’s Workshop, I had one reviewer say, “I suspect a lack of outline.” In that instance, my A to Z approach didn’t work so well, but I blame that on my initial choice of an ending (which has since changed). Plus, with my novel, I had made an embarrassing mistake with a character’s name where I unintentionally changed the spelling of it half way through my book. I could have really benefited from a good character tracker system. Also, some publishers like Xchyler Publishing require a chapter-by-chapter synopsis of your book (among other things) when submitting your manuscript for consideration.
I had asked Xchyler Publishing why they required a chapter-by-chapter synopsis and this was their response: “There are a few reasons. 1. It shows you know your story, which means you have spent time, and at least read back through it. 2. It helps our editing staff know what the main points are. So if/when they need to be edited down, the key points remain.3. It shows you are devoted to the success your book as much as we will be.”
What is the goal or purpose of an outline? It is there to help you flush out any holes in your plot, to ensure that your story is solid, and to help you write your novel. It will help you stay focused, monitor your pacing, and will guide you through your story. It will help you think through your novel, so that you can make any changes to plot or story upfront before you write yourself into a corner. In addition, it will (at times) help prevent writer’s block.
What does an outline need?
Places and Scenes
How do you design an outline? There are numerous different methods that work well for different people. It could be as simple as a bunch of post-it notes or as scientific as Randy Ingermanson’s Snowflake Method. After searching the web, I’ll share a few ways below:
Flash cards or Post-it Notes: Great way to stay organized and keep all the pertinent info in an easy to find place. Have a post-it for each character, write down descriptions for reference, who they are related to, etc.
White Board or Mindmapping: I rather enjoy white boards, and I have a simple one in my home office because I like staring at a visual to be reminded of things, or to think through issues. Similarly, you can connect thoughts, or plot events to characters to show motivations, etc using mindmapping. The free iPad and iPhone app called Total Recall is a great tool for this.
Simple Document: Whether you organize everything into a table, or you have a story board process using PowerPoint, or you write down everything in paragraphs of text, a simple document is a great place to start.
Software: There is too many to list, but you can see them (and buy them) all here: Writers Store
Chapter by Chapter: I tend to think that this document should be made as you write your novel, so that it can become a useful reference guide. It will help you remember which chapter introduces what character, what events occurred in what chapter, and can help you take a glance at the pace of your novel. Reader’s dislike changes in pace, so if your plot-driven events are slowing down, it may be time for some revisions.
The Snowflake Method: Created by Randy Ingermanson, this is an incredibly detailed planning process. It was developed around the idea that novels are designed. At its most basic concept, you start small with one idea and then you expand it outward; writing individual story lines for characters and expanding them to full page descriptions, expanding the plot from a one page synopsis to a four page synopsis, create a scene list and grow it into a multi-paragraph description of each scene, etc. You do this until every tacit of your novel has matured, and then you write your first draft.
Combination: I plan to use a simple document to keep track of characters, as well as a white board to help me think through character motivations, and a chapter by chapter outline to help me monitor the pace of my novel and use as a good reference. Feel free to use your own combo to ensure that you have a solid plan in place.